La tenzone in sonetti trilingui tra Gidino da Sommacampagna e Francesco di Vannozzo

Abstract

This study offers an edition with some textual improvements of the trilingual tenson between Gidino da Sommacampagna and Francesco di Vannozzo, within the characteristic vein of the fourteenth-century literature of northern Italy (and Veneto in particular); the same one to which the first known text that uses the French-Latin-Italian trilingualism, the song Aï faus ris attributed to Dante, is probably also connected.